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All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |
| SOUTH AFRICAN QUALIFICATIONS AUTHORITY |
| REGISTERED QUALIFICATION: |
| Bachelor of Arts in Sound Technology and Production |
| SAQA QUAL ID | QUALIFICATION TITLE | |||
| 118639 | Bachelor of Arts in Sound Technology and Production | |||
| ORIGINATOR | ||||
| Cape Audio College (Pty) Ltd | ||||
| PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY | NQF SUB-FRAMEWORK | |||
| - | HEQSF - Higher Education Qualifications Sub-framework | |||
| QUALIFICATION TYPE | FIELD | SUBFIELD | ||
| National First Degree | Field 02 - Culture and Arts | Film, Television and Video | ||
| ABET BAND | MINIMUM CREDITS | PRE-2009 NQF LEVEL | NQF LEVEL | QUAL CLASS |
| Undefined | 360 | Not Applicable | NQF Level 07 | Regular-Provider-ELOAC |
| REGISTRATION STATUS | SAQA DECISION NUMBER | REGISTRATION START DATE | REGISTRATION END DATE | |
| Reregistered | EXCO 0333/25 | 2025-07-10 | 2028-07-10 | |
| LAST DATE FOR ENROLMENT | LAST DATE FOR ACHIEVEMENT | |||
| 2029-07-10 | 2034-07-10 | |||
| In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise. |
This qualification does not replace any other qualification and is not replaced by any other qualification. |
| PURPOSE AND RATIONALE OF THE QUALIFICATION |
| Purpose:
The purpose of the Bachelor of Arts in Sound Technology and Production is to develop candidates for a vocation in the field of music and audio engineering and/or for further learning in higher education within a related field. This qualification provides a depth and specialization of knowledge, together with practical skills and experience in the workplace, to enable successful candidates to enter the world of work as an employee or entrepreneur and specialize in audio engineering for live events, radio production, music production, audio postproduction or a number of other career paths within the music and audio industry in South Africa and abroad. A successful candidate will be able to plan, manage and apply the relevant technical and creative sound engineering processes, using industry-standard equipment and technology. They will be able to evaluate the principles of audio engineering and apply the knowledge and creative skills required to critically analyse and solve the client brief requirements in a wide variety of contexts. Upon completion of the qualification, the qualifying learner will be able to: The structure of the qualification is designed to balance the theoretical and practical aspects of audio engineering and to facilitate a logical progression towards the achievement of the exit level outcomes and critical cross-field outcomes. Each module aims to develop specific abilities, tools and bodies of knowledge and the assessment opportunities are designed to evaluate the learner's ability to integrate the acquired knowledge and skills. Rationale: The South African sound and music industry has shown dramatic growth over recent years and is competing favourably with the international market. Based on extensive industry research, the need for individuals who are highly educated in Sound Technology and Production has been identified. For the sound and music industry to compete locally, on the African continent and internationally, there needs to be a wide variety of experienced and knowledgeable people who understand the specialised technologies, the diverse market segments and how to take their product to market. Most learners enter the qualification with a passion for music in some form, whether it is creating music or producing other musicians' music. As music is enjoyed across social, cultural and economic levels in society, the range of learners is extremely diverse. This diversity allows for an incredible environment for learning within the institution, and once learners graduate, the interactions continue into their chosen area within the audio and music industry. This qualification has been developed to equip the qualifying candidate with the knowledge, skills and attitude required to enter the industry with an advanced set of knowledge and skills. The qualification aims to produce a calibre of Sound Engineer who can bring innovation and forward-thinking into the development of this industry in the fields of radio, audio postproduction, live sound, or music production. On completion of the qualification, qualifying learners may find employment in: |
| LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING |
| Recognition of Prior Learning (RPL):
The institution has an approved Recognition of Prior Learning (RPL) policy which is applicable with regards to equivalent qualifications for admission into the qualification. RPL will be applied to accommodate applicants who qualify. RPL thus provides alternative access and admission to qualifications, as well as advancement within qualifications. RPL may be applied for access, credits from modules and credits for or towards the qualification. RPL for access: RPL for exemption of modules RPL for credit: Entry Requirements: The minimum entry requirement for this qualification is: Or Or Or |
| RECOGNISE PREVIOUS LEARNING? |
| Y |
| QUALIFICATION RULES |
| This qualification consists of the following compulsory modules at National Qualifications Framework Level 7 totalling 360 Credits.
Compulsory Modules, Level 5, 110 Credits: Compulsory Modules, Level 6, 120 Credits: Compulsory Modules, Level 7, 110 Credits: Compulsory Modules, Level 8, 20 Credits: |
| EXIT LEVEL OUTCOMES |
| 1. Demonstrate integrated knowledge of the central areas of specialisation of Radio Production, Music Production, Live Sound, Audio Post Production and Audio Technology Fundamentals.
2. Ability to evaluate and explore various areas of the specialisations especially regarding genres of music/audio production and business models. 3. Demonstrate an understanding of a range of methods and the practical application of this within the audio fields to resolve problems and introduce change within the outputs that they produce. 4. Ability to identify, analyse, evaluate, critically reflect on, and address complex problems by applying evidence-based solutions and theory-driven arguments. 5. Demonstrate the ability to make decisions and act ethically and professionally, and the ability to justify those decisions and actions drawing on appropriate ethical values and approaches within a supported environment. 6. Demonstrate the ability to gather and process appropriate information for the given context, and validate the sources of information. 7. Ability to produce and communicate information using their authentic voice both through sound and in writing as forms the foundation of the qualification. 8. Demonstrate the ability to manage processes in unfamiliar and variable contexts through critical thinking, and develop problem-solving principles that include both context and system-bound principles. 9. Ability to identify, evaluate and address their learning needs in a self-directed manner, and to develop collaborative learning scenarios. 10. Ability to take full responsibility for own work, decision-making, effective use of resources and limited accountability for the decisions and actions of others in varied or ill-defined contexts. |
| ASSOCIATED ASSESSMENT CRITERIA |
| Associated Assessment Criteria for Exit Level Outcome 1:
Associated Assessment Criteria for Exit Level Outcome 2: Associated Assessment Criteria for Exit Level Outcome 3: Associated Assessment Criteria for Exit Level Outcome 4: Associated Assessment Criteria for Exit Level Outcome 5: Associated Assessment Criteria for Exit Level Outcome 6: Associated Assessment Criteria for Exit Level Outcome 7: Associated Assessment Criteria for Exit Level Outcome 8: Associated Assessment Criteria for Exit Level Outcome 9: Associated Assessment Criteria for Exit Level Outcome 10: |
| INTERNATIONAL COMPARABILITY |
| The Bachelor of Arts in Sound Technology and Production compares with the following international qualifications in that they all take a similar approach towards best practice and an industry-based professional methodology towards their curriculum design, teaching and learning. The digital platforms used are the same or similar making for closely comparable qualifications. As the actual learning is comparable, the articulation possibilities across institutions are credible.
Country: United Kingdom (UK) Institution: Point Blank Electronic Music School Qualification Title: Bachelor of Arts Honours in Music Production and Sound Engineering Purpose/Rationale: The qualification will equip learners with the full range of core skills essential to contemporary audio systems, including the physics behind sound production, fundamentals of computer networking and programming, and electrical engineering. Learners will study the tools, techniques, equipment, and theory of modern sound production, from studio to stage, to theme parks and beyond. The qualification will provide learners with the tools such as creative problem solving, and technology to succeed in the complex, sophisticated world of audio technology. Learning Outcomes: Graduates will be equipped with the following competencies on completion of the qualification. Qualification Structure: The qualification consists of the following compulsory and elective modules: Compulsory Modules Elective Music Modules (Complete 6 credits of any Music modules): Learners should choose one of the following paths: Production Path, 11 credits Enterprise Path14 credits The qualification makes use of industry experts to develop and teach their learners. The qualification uses multi-platforms (Logic or Ableton, Pro Tools, and Native Instruments) and focuses in an intensive and practical manner to develop learners for the Sound industry. The qualification is quality assured by Middlesex University and is comparable through the platforms which are taught and used, and the industry-based approach to curriculum development and teaching as well as the exit level outcomes. Differences: The structure of the qualification differs slightly from the South African qualification in that it consists of both compulsory and elective modules while the new qualification has only compulsory modules and there are specialisations. Similarities: Both qualifications have similar compulsory modules such as Sound Technology, Sound Systems Design and Engineering, Music Production I, II and III, as well as the Audio Postproduction, I, II and III. Country: Italy Institutions: JAM Academy, International Academy of Modern Music and University of Bedfordshire Qualification Title: Bachelor of Arts in Music Technology and Production Similarities: The qualification is comparable in that both qualifications provide the skills, knowledge and expertise to produce both digital and live music of high quality. The subjects offered for both qualifications are extremely similar with there being a focus on live music, digital music, and audio post-production developed over the years of study. The subjects also include business and marketing for the sound industry. The Bachelor, issued by the University of Bedfordshire, as well as indications of the Lisbon Treaty, is at the level European Qualifications Framework (EQF) Level 6 and totals 360 UK credits (three years). Country: Ireland Institution: Griffith College Qualification Title: Bachelor of Arts Honours in Music NQF Level: National Framework of Qualifications (NFQ) Level 8 Rationale: BA (Hons) in Audio and Music Technology is available on a full-time basis over three years and taught on campus at Pulse College. The qualification will introduce learners to how to record and produce music both in the home studio and in large recording studios where they will learn about live sound from both a performance and technical perspective. Learners will also be trained in the iconic Windmill Lane Recording Studios and will be required to put on live shows and performances throughout the qualification. Graduates of the BA (Hons) in Audio and Music Technology may be eligible to advance to progress to postgraduate qualifications. Learners will have a good basis for a future career in an industry-based profession such as a sound engineer, audio editor or music producer. Qualification structure: Similar to the new qualification, this qualification consists of the following compulsory modules. Comparison: The Bachelor of Arts Honours is a three-year qualification that focuses on both practical applications of the audio and sound industry; and the theoretical development required for professional business applications. The qualification is developed around an approach towards the practical application of all knowledge developed over the three years. Final year learners develop their work-integrated learning through a professional client project. Similarities: Both qualifications are similar in duration, share similar content, purpose/rationale, and work-integrated learning. Differences: The structure of the qualification differs slightly from the new qualification in that it has an online portfolio and Dissertation. The qualification is registered at NQF Level 8 while the South African qualification is registered at NQF Level 7. Country: United Kingdom (UK) Institution: Leeds Beckett University Qualification Title: BA (Hons) in Music Production Comparison: Both qualifications offer knowledge and skills aimed at developing learners into highly qualified music and audio producers. This is done through offering a variety of audio and music-based subjects which include digital platforms and composition for music production. The qualification aligns in terms of the knowledge and skills that are taught throughout the three years. Conclusion: The comparison revealed vast similarities in these international qualifications with the new qualification and differences are mainly in qualification offerings based on facility resources and access rather than information or direction of study. The strength of the Bachelor of Arts in Sound Engineering and Technology is the integration both between subjects and streams, and the inclusion of other industry disciplines into the learning environment. The new qualification compares favourably with the cited international institutions in terms of purpose/rationale. Exit level outcomes and qualification structure. |
| ARTICULATION OPTIONS |
| This qualification allows possibilities for both vertical and horizontal articulation.
Horizontal Articulation: Vertical Articulation: |
| MODERATION OPTIONS |
| N/A |
| CRITERIA FOR THE REGISTRATION OF ASSESSORS |
| N/A |
| NOTES |
| N/A |
| LEARNING PROGRAMMES RECORDED AGAINST THIS QUALIFICATION: |
| NONE |
| PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS QUALIFICATION: |
| This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here. |
| NONE |
| All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |